HomePage of David & Hilda Beale
Photos & Essay Drafts
Photos of nature, our home and fine art
Click on a picture to go to the next -- or scroll around
A Mirror of this website might be faster outside Australia: http://westernau.com/dbeale
SlideShows

A Microsoft PowerToys SlideShow has
previews and a FilmStrip with thumbnails;
It is MANUAL in Mozilla-based browsers.

 

To copy, right-click and saveas
Click here to goto the images directory

A large FULL SIZE sideshow
about 50MB, 200 photos
The menus above and below each slide

Automatic (7 seconds/slide) or manual; FULL SIZE
shows up bugs in Internet Explorer 8 beta
some pictures download but don't show.

 

To copy any slide, stop the slide show and right-click copy or saveas...
or click here, download or right-click copy by name:
http://dbeale.westernau.com/images/

 

Photos of our home, fine-art, garden and surroundings

 


A page of
art and flowers photos

5.6MB Nine

 




Some photos of our garden

4MB Eight




More photos of our Home
in Kalamunda
Western Australia

3.5MB Six

 


 Moods & Feelings

Moonlight

LightningStorm

Click on smaller versions
1-5Mbytes each (Thirteen)

 





Dan Mazzotti

4.1MBytes Twelve

 





Isobel Venus
Cedric Baxter
Diana Johnson
and others

7M Seventeen

 


Click here to see some more photos of flowers and scenery

 

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Essays

 

I believe in miracles

3d90anm.gif (27751 bytes)

By shifting timing and
because reality has more than three dimensions, 
intent can have any power it needs
no matter how tiny might be its 3D presence


The magenta line is has almost zero size.
It represents a tiny oscillation.
It's almost infinitely small; but like each of us, it is is also
a known percentage of infinity.

The vertical sine-wave represents a large oscillation (vibration).
A single sine-wave, it represents a vibration of any complexity.

The horizontal sine-wave represents other places and times
for the vertical wave (vibration) to be in.

The picture represents a multi-dimensional reality
using a 2D illustration of a 3D analogy.

The reason for the picture is to show how a tiny vibration can bounce-deflect and guide a huge vibration.

To gain control of the gigantic vibration,
the tiny vibration adjusts it timing so it crosses zero
just ahead of the larger vibration.
So the huge vibration is bounced/deflected
according to the intent of the small vibration.

 

 

A numbered percentage of infinity is equal to infinity.

A little thing
can dominate an apparently gigantic thing
especially if the little thing is alive and can adjust itself
and especially if the big thing is less conscious.

Although the size-difference might let the little thing seem hopeless against the big thing,
by the little thing getting the timing perfect in its oscillations
then eventually every part of the big thing can be
modified or even completely caused to go away.

Another analogy:  A hard ball hits another that's not moving...
the formerly-moving ball stops and the hit ball moves;
and (if both have zero hysterisis) then the hit ball moves at the same speed
in the same direction as the original!

Pool-balls exchange movement, well!!

The balls above are in the same dimension-set.
The idea in the above picture considers more than three dimensions;
in which 3D size differences are cancelled
by multi-dimensional timing priorities

In multiple dimensions, movement exchange is regardless of sizes.
A tiny event can shift its timing
to exclude or direct a large event into alternative dimensions

It's about being bigger at the right times in the right places;
enough to reflect/divert/bounce something many-times one's size.

 

Everything is made of multi-dimensional oscillations,
many of which are concentric,
that form stable groups and predictable sequential events.

Any event, no matter how small,
can change another event of any size
by adjusting its timing to that of the larger event.

Why I believe in Miracles

 
 

My long-term work in progress

The subject suits the style of evoking word-pictures more than logical sequences.

The essay is about a unified field theory
I've been working on forever.

Most paragraphs can stand alone and most also support each other.

I believe we can understand, one insight at a time, how Reality is made.  From the first insights, every tiny clue fits into bigger ideas as the understanding grows.
 
We can share viewpoints and look forward to always seeing more --- concepts beyond our present understanding of even what a concept can be.

The essay sums up many ideas about how reality can be tangible. The essay has many ideas that could each fill a book

 

3d90anm.gif (27751 bytes)

 

 
This gif illustrates a Fourier series of a wave comprised by four harmonics (3 plus fundamental) in phase (all cross zero together).

This gif show a Fourier series of a wave comprised by four harmonics (3 plus fundamental) phased peak-coincident.

 

The shape of anything can be described by a multi-dimensional version of Fourier's maths theory.  Fourier's maths can describe level-variations according to time (by describing level-variations according to the individual frequency components).  Variations of any complexity can be resolved as being a collection of pure sinusoidal components and their timing and size relative to the slowest frequency being considered in the set.  {Cosines are calculated instead of sine because the standing level of the cosine is an actual level whereas if sine was used the value would be zero.]

The difficulties of getting an algorithm, for a practical of Fourier maths transformation, begin with for example the question of "what is the lowest frequency, to which the others shall be related in frequency, phase and amplitude?"....  I believe every breath of wind is related, in its waxing and waning, to the finest details of the music in our lives.  Harmony is in everything.  Complexity is infinite; so harmony hides in complexity.  Getting a Fourier series out of a sample of a noisy bit of pop music would be relatively easy (especially if the drums are perfectly tuned --- like electronic!).  In Creation there are events that, although apparently irrelevant to each other according to our understandings, are perfectly in harmony with everything that exists.  So how complex would the maths be, for a Creation that has oscillations exchanging between an infinite number of dimensions and phase; a Creation that uses time as if the same as space?  Fourier might be, in some future/parallel time, in absolute heaven, working out the algorithms for the Fourier Series for the Whole of Creation!

By extending the maths theory (ascribed to Fourier) into a multi-dimensional system, then anything can be said to comprise a collection of concentric simple (sinusoidal) variations in presence in the nominated three dimensions.  These multi-dimensional variations exchange places in whatever collection of dimensions they are getting excluded to.

 

The concentric-spheres picture

The concentric-spheres picture is for the idea of concentric spheres, in pairs, sharing mutual positions in 3D space.  Their average pressure levels of their combined exclusion forces allow them to exclude other force-fields from the same 3D space to allow pairs to comprise stable patterns when grouped with similar force-fields.  The patterns that pairs team up with, and how often they appear in 3D space, is according to patterns in dimensions other than the first three. Individual force-fields occupy many dimensions during their oscillation cycles.

Most matter and energy phenomena can be described using multi-dimensional Fourier series; extending to many more dimensions than the primary 3; to define where and when force-fields are; according to the descriptions of their perimeter confining "shape" multi-dimensional outlines as fundamentals and harmonics related according to size, frequency and phase. 

 

Hilda and David Beale
52 Chaucer Way
KALAMUNDA 6076
Western Australia

phone  +61 8 9293 1512
or +61 8 6461 6190
fax       +61 8 9293 2383
mobile +61 428 464 440
             

email David Beale

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